By: M. Gordon
The Colours of Culture 2025 Exhibition
Mother, where have I come from? Little histories in a bowl.
Feed it to me. I poke around my intrigue in a bowl.
Fill it full, and hefty, and solely my own alibi.
Red spaghetti, chili– I find home cooking in a bowl.
My language is misgotten, if not, taken from the streets
of home and those who know my skin, sweet wrappings in a bowl.
My skin is soft and young and tan- it’s tanned I think, that’s it.
That the sun sun-shines and tints my skin, it’s me in a bowl.
Lighter than, darker than, grow, then I grew up white I say.
I speak one language, understand, that’s yearning in a bowl.
I grow further, bigger, taller, smaller, crawler lost where
I linger to, a seeker set on searching in a bowl.
Find me shaking, chopping, stirring, watching, making lonely
efforts to find out or be found. It will be in a bowl.
Smell sesame seeds and sweet syrup like snacks growing up;
soy sauce, sugar, tofu and paste colliding in a bowl.
The same path you carved- I see you, I watch. Korean girl
Youn-hee; Italian, apart. That’s Amy in a bowl.
Indomitable. Plastic figurines fill shelves, mantles,
found through time. Hello Kitty, your dolls, filling in a bowl.
Buy bulgogi by the bucket, grocery bibimbap,
kimbap, kimchi. Hangul bookmarks, belonging in a bowl.
All to mimic that strength in several different ways, I rush
for this truth that’s locked past pantry doors, sighing in a bowl.
Growing Matthew, why must you ask the strict criteria
to belong? Your blood, your cooking, it’s steaming in a bowl.
about the poet
M. Gordon (any/all) is an emerging artist who primarily works in theatre as a Playwright, Director, Dramaturge, and Producer, with some flirtatious dips into Fiction and Poetry. As a biracial Canadian, they reflect a lot upon the dual absence and manifestation of their Korean heritage; which they grew up quite disconnected from. They have long considered writing as a means to process, communicate, and experience emotions which are too scattered, contradictory, or ethereal for words or time to handle themselves. They tease the text on the page into manifesting a feeling ephemeral, and hope that you'll feel it too.